Thomas Berger Johnson Paintings

The "heavy impasto" technique, as Johnson described it, is "the juxtaposition of color" achieved by using two separate colors of paint on the brush at one time.

The mind when subjected to a two color-pattern, shifts from one color...to the other creating a sense of color movement or a shimmering effect. The edges of...alternating bars of red and blue...give a sensory stimulus to the mind creating an image of purple. If we were to thoroughly mix the red and blue pigment the effect would still be purple, but without the movement or shimmer, as there would be no sensory interplay between the colors.

Tenements (Lincoln), oil, 1939

Tenements (Lincoln), oil, 1939

"O" Street Flag Shanty (Lincoln), oil, 1941

"O" Street Flag Shanty (Lincoln), oil, 1941

Smoke Drift (Burlington Roundhouse, Lincoln),  oil, 1949

Smoke Drift (Burlington Roundhouse, Lincoln), oil, 1949

Neighborhood Backyards (Lincoln),  oil. 1948

Neighborhood Backyards (Lincoln), oil. 1948

Shoppers (Lincoln),  oil, 1954

Shoppers (Lincoln), oil, 1954

Antelope Creek Bridge or Blue Rhapsody  (Lincoln), oil, 1949

Antelope Creek Bridge or Blue Rhapsody (Lincoln), oil, 1949

Blue River Dam No. 3 (Milford), oil, 1947

Blue River Dam No. 3 (Milford), oil, 1947

Giants in the Earth (Lincoln), oil, 1957

Giants in the Earth (Lincoln), oil, 1957

Pause for Refreshments (Clay County, Nebraska),  oil, 1957

Pause for Refreshments (Clay County, Nebraska), oil, 1957

Spring Thaw (rural Seward, Nebraska),  oil, 1948

Spring Thaw (rural Seward, Nebraska), oil, 1948

Noon Chores (central Nebraska),  oil, 1951

Noon Chores (central Nebraska), oil, 1951

Portrait of the Johnsons (Seward, Nebraska),  oil, 1952

Portrait of the Johnsons (Seward, Nebraska), oil, 1952

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